Lock your slide and put your horn up to your chops. For smooth slide motion, travel as far as possible in one direction before changing directions – use alternate positions to accomplish this. 4 – Bob McChesney – Master Class. Move the slide quickly and precisely at the moment when the note changes – not before and not after. Think about those little boat rides at theme parks; the ones for little kids that float down tracks so they can’t bump into anything. The slide is used to change between notes on the instrument, and many trombone techniques relate to its use. 2. Trombone Lessons: Slide Technique – Bone Masters: Ep. Uwe Dierksen, trombonist of the Ensemble Modern, demonstrates an extended technique Sadly, no technique is as misunderstood as breathing. As you trace down the slide to the lower slide positions, you will use the jointed areas in different proportions but only if you are aware of all the jointed areas and allowing them to move in cooperation with one anther to create that all-important straight line. 12. For more information on this joint, watch the video above. Navigating complex bebop and post-bop figures requires the use of alternate positions. Here's a three octave slide position chart and a first position (fundamental) overtone chart for the alto trombone. College-educated trombone player who has guided many young players to musical excellence. (• Holdingit – Try(notto(forgetyou(are(holding(it(pretend(it’s(ababy);(ESPECIALLY(the(slide! Understand that this has nothing to do with whether or not you are relaxed – don’t let that issue enter the conversation at this point – very simply, trace a straight line. 0 0. Part of the Bärenreiter Verlag's well-known series on contemporary playing techniques and awarded with the German Music Edition Prize as A must have method book for any student of the trombone regardless of the level. The third and fourth fingers sit under, not over the bottom slide tube – something like a Vulcan salute. A good concept to remember is that the collection of notes made by putting the slide in a different position is the same just shifted down. On the slide trombone, such deviations from intonation are corrected for by slightly adjusting the slide or by using an alternate position. Avoid traveling a long distance with the slide to play a small interval such as a minor second – use alternate positions to accomplish this. To move the slide, trace a straight line with your right hand. Do not touch the bell with the fingers of the right hand. The best way to hold the slide brace is a matter of some debate among trombone players. I could fill page after page with information about breathing but for now, I'll summarize the most common student mistakes: 1. 0 views. Having a non-existent or improper vibrato! Excerpt from the book on contemporary trombone playing techniques (in collaboration with Mike Svoboda). No one ever seems to talk much about slide technique, yet good slide technique is among the most important aspects of playing the trombone, and indeed is the only aspect of playing the trombone that is not shared with any other horn. I don’t mean to approximate a straight line – I mean literally trace a straight line – like a straight-edge. 23. Superbone technique. The player grips the valve section with the left hand, which supports the weight of the instrument while the right arm operates the slide. The slide should be held with the thumb, index and middle fingers only, so that the thumb is on the slide cross brace, and the fingers rest on the lower slide tube below the cross brace. 3. There may be a steering wheel, but it’s not connected to anything so the kid can turn the wheel all he wants and the boat just stays right on track. I suggest that the slide should stop (or notch) for each note when playing slow notes but you should “pick it up as you go by” for faster notes. On trombone alternate positions are, by definition, methods of playing the same note using more tube and a higher buzzed pitch. 0%. Although much of Western music has adopted the even-tempered scale, it has been the practice in Germany and Austria to play these notes in position, where they will have just intonation (see harmonic seventh as well for A ♭ 4 ). Mastery of both these areas of trombone playing is essential to a smooth, accurate style of playing. Many young players assume they have to notch the fast passages which really slows them down. Now, without moving the slide or playing, trace along the bottom slide tube with your right hand. Like. Trills are one example of a sliding technique, which is a rapid alteration between two notes. 3. In fact, imposing the natural pattern of the right arm is what many trombonists do and this may be the source of some frustration. Discuss proper speed and amplitude. 4. David Vining on Trombone Slide Technique. Slide Technique Development of proper slide technique is necessary for trombone players to play with clarity of articulation and correct intonation. 21. Slide technique can be a confusing subject because there are many conflicting opinions swirling around the internet. Slide technique is one of the most important aspects of trombone playing. These are usually expressive techniques used alongside legato tonguing. 4 – Bob McChesney – Master Class. This position gives the greatest flexibility, allowing the wrist to stay loose and controlling the slide … This is such a simple yet effective suggestion because it works for everybody. As I see it, slide technique has two primary facets—how you hold the slide, and how you move it. 9. Slide technique is one of the most important aspects of trombone playing. Press J to jump to the feed. Don’t think of pushing and pulling the slide; instead, think of guiding the slide on its track. Samuel Scheidt (1587-1684) Dario Castello (1590-1658) Giovanni Gabrielli (1554-1612) Claudio Monteverdi (1567-1643) - Magnificat - Vespers of ... slide movements •Fluid slide technique, economy of movement in short slide positions Here are some reminders and additional tips about slide technique: 1. Just like you can’t dictate the path of the boat, you can’t change the path of the slide. As you do this, don’t let the bell move because if it does, it will move the mouthpiece and disrupt your embouchure. (Interactive Digital E-Book) Trombone exercises that will make you a well rounded trombonist. A password reset link will be sent to you by email. Ian Bousfield, former Principal Trombone of the Vienna Philharmonic, discusses using glissandi to develop smooth airflow through the instrument. The trombone should be supported with the left arm, leaving the slide arm free to move easily. purpose of this paper is to compare slide techniques for the trombone. The pattern your right hand traces is dictated by the slide and the slide is a straight line. Place your right thumb at the intersection of the slide brace and the lower slide tube, and do not let go as you extend the slide (except to reach seventh position). 11. The message here: don’t fight the horn – the path is a straight line and you need to accommodate that straight line with your body. Video: Practice Advanced Trombone Techniques Identifying Techniques and Expressions If you have problems with any of the steps in this article, please ask a question for more help, or post in the comments section below. 8. Date: August 11, 2020 Actors: Paul The Trombonist. II. RULE(#2:((ProtecngtheTrombone. Purchase What Every Trombonist Needs to Know About the Body, Tools to help you achieve peak performance, What Every Trombonist Needs to Know About the Body. 5. To produce low notes, vibrate your lips slowly; the higher the note you want to play, the quicker you will need to vibrate your lips. You can turn the wheel all you want and the boat still follows its predetermined path; you can try all you want to establish a different slide path and it’s still going to be a straight line. For example, when I move between first and second position, I don’t use the SC joint but I most certainly use it to reach beyond fourth position. Accuracy and efficiency of movement with the slide can drastically improve your technique as a trombonist. For slower passages, stop the slide for each note; for faster passages, pick up the note as you go by without stopping the slide. Develop independence between the arm and the air flow. Therefore, basic concepts of holding the instrument will be examined. I feel the most effective method is to put the first two fingers of the right hand below the slide brace and the thumb above it. This approach is a little different from pushing and pulling the slide; the effort of moving the slide is more of a cooperation with the slide track than an imposition of an arbitrary pattern more suitable to the one your right arm naturally wants to take. Here is a very simple idea which should help alleviate some confusion and is not likely to be controversial: For good slide technique, trace a straight line with your right hand. tongue every single note, or use a combination of tonguing and slurring to … For a quick post, here’s a nice video discussion by David Vining on trombone slide technique. Accuracy and efficiency of movement with the slide can drastically improve your technique as a trombonist. Avoiding long positions on the trombone slide! No technique is more important to good trombone playing than proper breathing. Jazz trombone players have been practicing these techniques for a long time. As sometimes happens, I’ve been caught under an avalanche of grading, rehearsing, performances, and other busy work so that blogging has taken a back seat. Do not puff the air with each motion of the slide. A central concept of slide technique is that the slide must be in position before the air and tongue initiate a note, regardless of the tempo of the music being played (Whitener, 2007). Be specific and carefully assess whether or not your pattern of movement is genuinely straight. Trombone Lessons: Slide Technique – Bone Masters: Ep. 10. Extending the slide in order to transpose pitches downward causes tuning problems with the valves. Trombone trombone lesson. Holding the Slide: 1. During the course of study, the beginning player will establish all of the basics of tuning, sight reading, theory, slide navigation, technique, and musical performance. My first articles covered several approaches to slide technique as well as short flexibilities as they combine with slide motion. The Superbone can be played as a slide trombone, a valve trombone, or in combination. The use of the hand, wrist. Sorry about the lack of updates here lately. Because there are no valves or keys, the trombonist must articulate differently than other wind players (i.e. For practice, place a coin between the student’s thumb and the slide brace. Hold the entire weight of the instrument up with the left hand and arm; do not transfer the weight to the right hand and arm. Move the slide with the entire arm – not just the wrist. as well as concepts about the manipulation of the slide. In order to trace the straight line of the slide, it is necessary to use all the jointed areas of the right hand and arm: The SC joint is where the collarbone connects to the sternum and it’s an important joint for moving the trombone slide. In this analogy, the inner slide tube is the track and the outer slide is the boat. Actually, the issue of fast legato playing on trombone is much more one of articulation than slide movement. Technique Edwards – Tuning Drone Melodies Marsteller – Advanced Slide Technique Marsteller – Basic Routines Remington (Hunsberger) – The Remington Warm-up Studies Schlossberg – Daily Drills and Technical Studies for Trombone Vernon – The Singing Trombone Vining – Breathing Book Vining – Daily Routines for Trombone Clef Studies There is much more to be said about slide technique; I’m going to address one more very common issue: to stop the slide or not to stop the slide. Here is a video I call “Trombone Incongruities” that puts together some of these slide technique ideas with some other techniques: Here is a handout highlighting some important slide technique points: Here are some resources to practice slide technique: Purchase Flow Studies for Tenor Trombone. Vibrato is similar but involves smaller fluctuations around one note. DEFINITIONS OF TERMS USED Slide-arm technique. Become familiar with the entire slide. Hold the entire weight of the instrument up with the left hand and arm; do not transfer the weight to the right hand... 2. Article from Instrumentalist: NEGLECTED SLIDE TECHNIQUE; FEBRUARY 1994. 2. Reset Password. 22. 7. As you move your right hand along the tube, imagine guiding the slide on its predetermined track. To view instructional videos from The Chops Shop, visit: https://www.youtube.com/playlist?list=PLtKqWLR-mihxFfACuK7WN8uoUin66cJ53Website: https://www.TheChops-Shop.com Facebook: https://www.facebook.com/TheChops.ShopLLCInstagram: https://www.instagram.com/thechops.shop/LinkedIn: https://www.linkedin.com/company/thechops-shop/Youtube: @The Chops Shop Slide technique is one of the most important aspects of trombone playing. To reach the lower slide positions, use all the joints of the arm together including the SC joint. About Share. Topics discussed include practice tips, how to develop your sound, articulation, low and high range, vibrato, trills, flexibility, slide technique and more. 13.4k members in the Trombone community. The slide arm does not support the instrument. When it comes to holding the slide, I generally like to have two fingers on the inside of the left tube on the brace and two fingers on the outside of the left tube, with my thumb behind the two fingers that are on the inside. 6. Develop ease of negotiating long slide shifts. In this video I share several tips to help your slide technique, like how to use your wrist to move the slide while leaving the elbow in place; and I also play a few examples of how the use of alternate positions can create a more fluid motion for the arm, making your more difficult passages a lot easier to play. Enter the username or e-mail you used in your profile. The trombone changes the length by moving the slide. This month I will present an approach to rapid tonguing specifically designed for trombone players. SLIDE TECHNIQUE trombone choir history/pedagogy artists comparisons. It works if you have a long arm or a short arm; it works if you are a jazz or classical player; it works if you play tenor or bass; it works in fast or slow passages; it works for staccato or legato styles. When playing a trombone you can change the sound it produces just by how your lips vibrate when blowing-no fingers required. Everything is a fourth above the tenor. Don't do breathing exercises away from the horn and then do something different when… Here are some reminders and additional tips about slide technique: 1. If the coin falls to the floor as the slide is extended, the student must do a better job of holding on with the thumb. For more on this, watch the video. This is because moving the slide to second position moves the fundamental down by a half-step. To move the slide, trace a straight line with your right hand. Trombone Lesson on Slide Technique Alternate Positions Tutorial. 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